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Phonature -> Technology -> Music Application -> Mathematical Cochlea

The sound feature diagram and musical kaleidoscope are good at capturing the individual wave cycles and their variation. At longer time spans, it is better to see the sound in its frequency aspect just like what our ears do. In engineering, we can use spectral analysis.

The human ear can discern very small difference in tonal frequency of about 1%. In contrast, the scale of spectral analysis is very imprecise. The mathematical cochlea is a spiral shaped scale that provide high precision in the frequency domain. What¡¦s more, this graphing method makes the analysis of harmonics very easy.

The frequency scale of the mathematical cochlea is one octave per circle. So notes which are multiples of an octave apart will appear along the same direction. These notes also give about the same audio perception. So this graphing method helps us group similar sounds together. What¡¦s more, the harmonics of a tone now appear at fixed angular positions relative to the fundamental frequency. This is very helpful when designing chords and composing music.

In the past, the working of the ear in sound perception is invisible to us. With the mathematical cochlea, the perception of sound as they excite the different parts of our cochlea becomes visible constellation patterns which can be easily recognized by our eyes.

The diagram on top is the mathematical cochlea map which shows the location of harmonics. Taking a fundamental frequency of 100, you can easily find the harmonics. The centre circles show the locations of notes for scales of different temperaments. It is easy to make a slide rule of musical notes based on the mathematical cochlea by cutting out the middle circles and allow them to rotate relative to the outer scale to find the frequency of notes for different temperaments and tones.





Musical Instrument Sound Profile
Each musical instrument has its own characteristics of harmonics structure. Some of them has very little outside of the fundamental whereas others are rich in harmonics. String instruments consist mainly of odd harmonics. These are shown as different patterns on the mathematical cochlea graphing of sound.

Some musical instruments generate sound that is not based on a fundamental frequency. Most notable is the drum in which the vibration of the diaphragm has multiple frequency components that are not in integer ratios. But they are still having fixed frequency ratios. So its signatory pattern is still fixed and easily recognizable. With the help of this graphing method, we can even match the pitch of drums to other musical instruments.




Attack, ustain & Decay Profile
Musical instruments also have differing sound profiles over the duration of a single note. Percussion instruments has short attack and decay without noticeable sustain period and wind instruments create sound consisting mainly of sustain period. What's more interesting is that the different harmonics of a note have different attack ¡V decay characteristics. Harmonics will appear and die out in its own pattern. So the resulting mix of harmonics vary over time. This is shown as transitions in the constellation patterns of frequencies in the mathematical cochlea.

Among all sound generating devices, the bell perhaps gives the most intriguing sound over time. Like the drum, it creates frequency components not in integer ratios. What¡¦s more interesting is that the vibration modes of the bell will vary over time such that at different times, different frequency components become dominant. So the mathematical cochlea display will appear as bright points that hop from point to point.




Musical Composition
When musicians design melodies with the help of the mathematical cochlea, they can see the interaction of the harmonics precisely. It is also very helpful in what-if analysis. Mixing different musical instruments will give different sound effects which can be traced back to the composition of the frequency components and their variation over time.

The diagram left hand side is an example output of the Mathematical Cochlea with different tones varying their loudness over time.


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