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Phonature -> Technology -> Music Aplication -> Circular Score

The circular score is similar to the mathematical cochlea in that it shows the frequency components of sound. But this time, we shows the time profile of frequencies in the graph instead of the instantaneous frequency strengths. The frequency axis is not as accurate whereas the time axis is very accurately shown in the angular components of the polar coordinate. Typically, one circle is one bar in the musical work.

The graph left hand side shows the circular score for a short melody.




Checking melody
The circular score is marked in divisions of degrees for general purpose use or suitably divided for specific melodies.

For clearer display, we can have divisions that suits our melody. For example, we can use divisions of 90 degrees. When pacing is correct, all arcs representing the notes should begin and end at division marks. Of course, this is not to kill creativity and spontaneity. On the contrary, this graph help us see how good musical performance is created out of subtle adjustments to the perfect timing.

One very popular technique creates pulses of sound by tapping rapidly on the holes of a woodwind instrument either throughout a note or near its beginning or its end point. It takes quite some time to learn because it is too fast to be heard clearly. With the circular score, this effect appears as a dotted arc and the extend of which can be read easily on the graph.




Multi-part performance
In multi-part performance, the circular score can let each party see whether they are faster or slower than others and to make adjustments accordingly. If it is possible to arrange different sound pickup devices for different people, their scores can be shown in different color to make detection of mismatch easier.

If the score of one party is shown in red and another in green, then they will sweep out arcs of red and green on the circular score. If the red arc arrives earlier without accompanied by the green, then it becomes a red bleeding edge before an orange - yellow arc resulting from the mixing of the two arcs. When the arcs overlap, the relative strengths of sound will determine whether the resulting arc will be more reddish or greenish.


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